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Star Wars (Non-Fiction)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
05/11/2006
Karen Traviss
Benbella
Commentary (Essay)
Non-Fiction
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Publication History
Star Wars on Trial
Star Wars on Trial (reprint)
More Karen Traviss
Star Wars Boba Fett: A Practical Man
Star Wars Imperial Commando: 501st
Star Wars Legacy of the Force: Bloodlines
Star Wars Legacy of the Force: Revelation
Star Wars Legacy of the Force: Sacrifice
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More Star Wars on Trial
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
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More Commentary (Essay) from Star Wars (Non-Fiction)
The Good, the Bad, and the Ugly: Can We Define Good and Evil?
So You Want to Be a Jedi? Learning the Ways of the Force Through Acceptance and Commitment Therapy
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Openness versus Closedness
Droids, Minds, and Why We Care
Grief and Masculinity: Anakin the Man
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The Force of Relationships: Tie Strength in Star Wars
Conscientiousness versus Recklessness
These Archetypes You're Looking For
Feel the Force: Jung's Theory of Individuation and the Jedi Path
A Distressing Damsel: Leia's Heroic Journey
Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
Darth Solo
Reading Star Wars
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Opening Night
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Prosecution
Closing Statement for the Defense
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Star Wars as a Character-Oriented Franchise
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Immersive and Interactive Adaptoins and Extensions of Star Wars
From Bikinis to Blasters: The Role of Gender in the Star Wars Community
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Chewie, We're Home: A Foreword
From THX to Star Wars: Rethinking George Lucas's Place in American Science-Fiction Cinema
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A Rocky Road to Star Wars: The Early Life and Career of George Lucas
Star Wars in Black and White: Race and Racism in a Galaxy Not So Far Away
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"Thank the Maker" - George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise
Another Canon, Another Time - The Novelizatoins of the Star Wars Films
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Foreword (Transmedia Franchise of Star Wars TV)
Rebel Violence
The Dark Side of the Rebel Alliance
Beyond Light and Darkness: A Generation Awakens
The Galaxy's Military-Industrial Complex
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Gender, Social Norms, and Disney's Star Wars
Leia and Rey Through the Male Gaze
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Star Wars and the Conditions of Ethnocentrism
Oppressive Languages: Galactic Basic and Global English
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Acts of Rebellion: Justifiable Murder
Gothic Rebellion
The Strange Case of Anakin Skywalker and Darth Vader
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The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess
Canonical Legends: How the Expanded Universe (Selectively) Lives On in TV
Who Owns Carrie Fisher: A Complicated Embodiment of Manufactured Commodity and Avatar of Resistance
Gatekeeping the Past: Fandom and the Gendered Cultural Memory of Star Wars
Postcards from the Valley of the Broads: Carrie Fisher, Jacqueline Susann, and Feminist Camp Authorship
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The Political Economy of Star Wars
The Connection of the Star Wars Film Series to the Ancient Roman Civilization of the Meditteranean
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The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
The Acousmatic Sounds of Star Wars
The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
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The Music of Star Wars
The History and Politics of Star Wars: Death Stars and Democracy
Theology and the Star Wars Universe Introduction
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Use (the) Force: Jedi, Monks, and Unexpected Violence
And Also With You: An Examination of the Demystification of the Jedi and the Clergy
Subverting the Ancient Religion: The Gray Ecclesiology of Ahsoka Tano and Old Man Luke
Undoing the Memory Wipe: Metz, Droids, and the Victims of History
Bringing Balance to the Force: George Lucas's Politico-Critical Refiguring of Salvation
The Modern Manicheans: Binaries of Light and Dark in Contemporary Culture
Thomas Aquinas's Account of Hope as a Hermeneutical Lens for Star Wars
An Arche not Anarchic Enouch: A Spirited Critique of the Force
Introduction (Star Wars & Philosophy Strikes Back)
Foreword (Star Wars: Essays Exploring a Galaxy Far, Far Away)
The Evolution of Twileks in the Star Wars Universe
Saving What We Love: The Hope and Resistance of Makers and Craftspeople in Disneys Star Wars
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Sabacc Fans Playable Representations of Star Wars Cultural Memory
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Expanding Universes: Star Wars and the Cultivation of Canon
Introduction (Lucas: His Hollywood Legacy)
Reflections on George Lucas and Modesto
Marcia Lucas: Her Life and Hollywood Legacy
"Are You Now, Or Have You Ever Been?": The Alientation of the Administered Society, Running to Freedom, and the Dystopianism of George Lucas's THX 1138
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Writing About Star Wars: A Historiography of the Star Wars Original Trilogy
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Researching the Lucasfilm Yearbooks: "FAMILYONE WIFE, ONE DISCO-BOOGIE BABY, AND 425 FOSTER KIDS"
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The Audience Is Listening: The Film Sound Legacy of George Lucas
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George and the Dinosaurs: George Lucas's Contributions to The Land Before Time and Jurassic Park
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Fighting the Evil Empire: Star Wars, the Strategic Defense Initiative, and the Politics of Science Fiction
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