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Star Wars (Non-Fiction)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
05/11/2006
Karen Traviss
Benbella
Commentary (Essay)
Non-Fiction
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Publication History
Star Wars on Trial
Star Wars on Trial (reprint)
More Karen Traviss
Star Wars: Order 66
Star Wars: The Clone Wars (Novel)
Star Wars: Omega Squad - Targets
Star Wars: A Two-Edged Sword
Star Wars: Odds
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More Star Wars on Trial
The Verdict
Closing Statement for the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
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More Commentary (Essay) from Star Wars (Non-Fiction)
Rebel Scum
Mapping the British Invasion: Marvel UK's Star Wars Comics
In Defence of Jar Jar Binks
Adventures Beyond the Greatest Space-Fantasy Film of All: An Introduction
Clones and Hybridity
The Good, the Bad, and the Ugly: Can We Define Good and Evil?
So You Want to Be a Jedi? Learning the Ways of the Force Through Acceptance and Commitment Therapy
From Phantom Menace to Phantom Limbs: Amputation, Neuroprosthetics, and Darth Vader's Brian
A Discussion with Darth Maul: Sam Witwer Interview on the Antithesis of Self-Actualization
Droids, Minds, and Why We Care
Grief and Masculinity: Anakin the Man
The Intergalactic Guide to Girls and Gender Psychology
The Force of Relationships: Tie Strength in Star Wars
Conscientiousness versus Recklessness
These Archetypes You're Looking For
Feel the Force: Jung's Theory of Individuation and the Jedi Path
A Distressing Damsel: Leia's Heroic Journey
Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
The Mark Hamill Award
Darth Solo
Mind on the Force
There is Good In You
Kinda Sorta in the Fandom
On Science Fiction
Kate and Star Wars
My Love for Star Wars
Tom's Collection of Awesome
Craftus Interruptus: or Hot Glue is Not the Force
Opening Night
Star Wars Mom
I Never Wanted to Be Leia: What Han Solo Taught Two Women About Gender and Sexuality
Introduction By David Brin
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Defense
The Verdict
Hearing the Force: Manifestations and Transformations of Music from Far, Far Away
The Space Community and the Princess: Reworking the American Space Program's Public Image from "Miss Nasa" to Princess Leia
Feminist Icons Wanted; Damsels in Distress Need Not Apply
Jedi Knights, Dark Lords, and Space Cowboys: George Lucas's Re-Imagined and Redefined Masculine Identities
Jedi Knights and Epic Performance: Is the Force a Form of Western-African Epic Mimicry
Deconstructing the Desert: The Bedouin Ideal and the True Children of Tatooine
Periodizing a Civil War: Reaffirming an American Empire of Dreams
An Elegant Weapon for a More Civilized Age: Star Wars, Public Radio, and Middlebrow Cold War Culture
Part of Our Cultural History: Fan-Creator Relationships, Restoration, and Appropriation
Fan Phenomena Introduction
Immersive and Interactive Adaptoins and Extensions of Star Wars
From Bikinis to Blasters: The Role of Gender in the Star Wars Community
Jediism as Religion? The Force as Old/New Religious Philosophy
Greater than the Sum of its Parts: The Singular Emergent Language of the Star Wars Universe
Star Wars Generations: A Saga for the Ages, for All Ages
The Influence of the Force
Moving Away from Myth: Star Wars as Cultural Analysis
Apocalyptic Determinism in Star Wars
The Star Wars Trilogies and Global Capitalism
May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
"Your Father's Lightsaber": The Fetishization of Objects Between the Trilogies
The Emperor's New Clones: or, Digitization and Walter Benjamin in the Star Wars Universe
Feminism and the Force: Empowerment and Disillusionment in a Galaxy Far, Far Away
I Have a Good Feeling About This: An Introduction
The Power Showed Us the Light: An Introduction
Chewie, We're Home: A Foreword
From THX to Star Wars: Rethinking George Lucas's Place in American Science-Fiction Cinema
Luke, Dorothy, and the Hero's Journey: We're Not on Tatooine Anymore, (Ar)To-(Dee)To
The Ecology of Tatooine as the Epicenter of the Star Wars Films
Star Tours, or: How to Make a Theme Park Attraction from Existing Resources
What's So Dark About the Dark Side? Good, Evil, and the Spectrum of Compassion in the Star Wars Saga
Surrounding Us and Binding Us Together: Star Wars Across the Generations
Celebrate the Love: An Introduction
Playing in Uncle George's Sandbox: A Foreword
How Marvel Brought Complex Literary Themes to the Star Wars Universe
Star Wars: The Early Media Tie-In Universe Chronology
Traveling through Hyperspace: Charting the Star Wars Webcomics
Comic Bookends of the Expanded Universe: From Dawn of the Jedi to Legacy
Introduction: The Force is With Youbut You're not a Jedi Yet
"You Cannot Escape Your Destiny" (Or Can You): Freedom and Predestination in Star Wars
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A Technological Galaxy: Heidegger and the Philosopher of Technology in Star Wars
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By Any Means Necessary: Tyranny, Democracy, Republic, and Empire
"A Certain Point of View": Lying Jedi, Honest Sith, and the Viewers Who Love Them
Religious Pragmatism through the Eyes of Luke Skywalker
Introduction: "The Circle Is Now Complete"
"You Are Asking Me to Be Rational": Stoic Philosophy and the Jedi Order
The Jedi Knights of Faith: Anakin, Luke, and Soren (Kierkegaard)
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Chasing Kevin Smith: Was it Immoral for the Rebel Alliance to Destroy Death Star II?
The Ballad of Boba Fett: Mercenary Agency and Amoralism in War
"Know the Dark Side": A Theodicy of the Force
"Like My Father before Me: " Loss and Redemption of Fatherhood in Star Wars
The Friends of a Jedi: Friendship, Family, and Civic Duty in a Galaxy at War
Light Side, Dark Side, and Switching Sides: Loyalty and Betrayal in Star Wars
Guardians and Tyrants in the Republics of Star Wars and Plato
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What Is It Like to Be a Jedi? A Life in the Force
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Star Wars Emotions, and the Paradox of Fiction
The Mind of Blue Snaggletooth: The Intentional Stance, Vintage Star Wars Action Figures, and the Origins of Religion
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Pale Starship, Pale Rider: The Ambiguous Appeal of Boba Fett
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May the Myth Be With You, Always: Archetypes, Mythic Elements, and Aspects of Joseph Campbell's Heroic Monomyth in the Original Star Wars Trilogy
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The Jedi Network: Star Wars' Portrayal and Inspirations on the Small Screen
Gaming in a Galaxy Far, Far Away: The History of the Expanded Worlds, Canon Conflicts, and Simplified Morality of Star Wars Video Games
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A Rocky Road to Star Wars: The Early Life and Career of George Lucas
Star Wars in Black and White: Race and Racism in a Galaxy Not So Far Away
Beyond Judeo-Christianity: Star Wars and the Great Eastern Religions
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"Thank the Maker" - George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise
Another Canon, Another Time - The Novelizatoins of the Star Wars Films
Franchising Empire - Parker Brothers, Atari, and the Rise of Lucasarts
Transmedia Character Building - Textual Crossovers in the Star Wars Universe
The Digitizing Force of Decipher's Star Wars Customizable Card Game
How Star Wars Became Museological - Transmedia Storytelling in the Exhibition Space
Invoking the Holy Trilogy - Star Wars in the Askewniverse
From Transmedia Storytelling to Transmedia Experience - Star Wars Celebration as a Crossover/Hierarchical Space
Space Bitches, Witches, and Kick-Ass Princesses - Star Wars and Popular Feminism
The Kiss Goodnight from a Galaxy Far, Far Away - Experiencing Star Wars as a Fan-Scholar on Disney Property
Formatting Nostalgia - IMAX Expansions of the Star Wars Franchise
Afterword: "You'll Find I'm Full of Surprises" - The Future of Star Wars
Why Rebels Triumph: How "Insignificant" Rebellions Can Change History
"Part of the Rebel Alliance and a Traitor": Women in War and Resistance
Elegant Weapons for Civilized Ages: The Jedi and Warrior Monks Throughout History
I, Sideous: Historical Dictators and Senator Palpatine's Rise to Power
Teen Queen: Padme Amidala and the Power of Royal Women
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Introduction: The Forces of History and the History of the Force
Glory, We Found Glory: An Introduction
The Canon Question: A Slight Return
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A Wild Ride of the Die: The Star Wars Roleplaying Game
War and Peace: Star Wars and the Myth of Redemptive Violence
A History of Star Wars Action Figures
The Lean Years: When Star Wars Vanished
The Will of the Force: by George, William Shakespeare's Star Wars
Finding Our Lack of Blind Faith Refreshing: Why the Love of the Saga Means Being Critical
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Preface (Strategy Strikes Back)
Introduction (Strategy Strikes Back)
The Jedi and the Senate
Distant Warriors: Are Clones and Troops too Separate from the Societies They Serve?
Civil-Military Relationships in Star Wars
From Princess to General: The On- and Offscreen Rise of the Woman Warrior
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Lightsabers and Death Stars: Military Technology Lessons from Star Wars
The Logic of Strategy in Space
Darth Vader and Mission Command
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Epilogue: The Lessons of Star Wars
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Galactic Orientalism
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Oppressive Languages: Galactic Basic and Global English
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How the Subaltern Interact
Artificial Intelligence: A New Hope?
Star Wars and Gothic Marxism
Acts of Rebellion: Justifiable Murder
Gothic Rebellion
The Strange Case of Anakin Skywalker and Darth Vader
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The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess
Canonical Legends: How the Expanded Universe (Selectively) Lives On in TV
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