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Star Wars (Non-Fiction)
Introduction: A New Perpsective
08/01/2020
Matthew Schultz
Cambridge
Commentary (Essay)
Non-Fiction
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Publication History
Post-Colonial Star Wars: Essays on Empire and Rebellion in a Galaxy Far, Far Away
More Post-Colonial Star Wars
Rebel Violence
The Dark Side of the Rebel Alliance
Beyond Light and Darkness: A Generation Awakens
The Galaxy's Military-Industrial Complex
There is Another: The Decline and Fall of Leia Organa
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The Good, the Bad, and the Ugly: Can We Define Good and Evil?
So You Want to Be a Jedi? Learning the Ways of the Force Through Acceptance and Commitment Therapy
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A Discussion with Darth Maul: Sam Witwer Interview on the Antithesis of Self-Actualization
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Grief and Masculinity: Anakin the Man
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The Force of Relationships: Tie Strength in Star Wars
Conscientiousness versus Recklessness
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Feel the Force: Jung's Theory of Individuation and the Jedi Path
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
The Mark Hamill Award
Darth Solo
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In Defence of Jar Jar Binks
Craftus Interruptus: or Hot Glue is Not the Force
Opening Night
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Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Defense
The Verdict
Hearing the Force: Manifestations and Transformations of Music from Far, Far Away
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The Fall of the Rebellion: or, Defiant and Obedient Heroes in a Galaxy Far, Far Away - Individualism and Intertextuality in the Star Wars Trilogies
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May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
"Your Father's Lightsaber": The Fetishization of Objects Between the Trilogies
I Have a Good Feeling About This: An Introduction
The Power Showed Us the Light: An Introduction
Chewie, We're Home: A Foreword
From THX to Star Wars: Rethinking George Lucas's Place in American Science-Fiction Cinema
Luke, Dorothy, and the Hero's Journey: We're Not on Tatooine Anymore, (Ar)To-(Dee)To
The Ecology of Tatooine as the Epicenter of the Star Wars Films
What's So Dark About the Dark Side? Good, Evil, and the Spectrum of Compassion in the Star Wars Saga
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Mapping the British Invasion: Marvel UK's Star Wars Comics
How Marvel Brought Complex Literary Themes to the Star Wars Universe
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Comic Bookends of the Expanded Universe: From Dawn of the Jedi to Legacy
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The Far East of Star Wars
Moral Ambiguity in a Black-and-White Universe
The Aspiring Jedi's Handbook of Virtue
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By Any Means Necessary: Tyranny, Democracy, Republic, and Empire
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The Platonic Paradox of Darth Plagueis: How Could a Sith Lord Be Wise?
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The Jedi Knights of Faith: Anakin, Luke, and Soren (Kierkegaard)
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An Object of Rebellion: Princess Leia's Sexualized Feminism
Galactic Orientalism
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The Audience Is Listening: The Film Sound Legacy of George Lucas
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