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Star Wars (Non-Fiction)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
05/11/2006
Bruce Bethke
Benbella
Commentary (Essay)
Non-Fiction
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Publication History
Star Wars on Trial
Star Wars on Trial (reprint)
More Bruce Bethke
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
More Star Wars on Trial
The Verdict
Closing Statement for the Defense
Closing Statement for the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
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More Commentary (Essay) from Star Wars (Non-Fiction)
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The Good, the Bad, and the Ugly: Can We Define Good and Evil?
So You Want to Be a Jedi? Learning the Ways of the Force Through Acceptance and Commitment Therapy
From Phantom Menace to Phantom Limbs: Amputation, Neuroprosthetics, and Darth Vader's Brian
A Discussion with Darth Maul: Sam Witwer Interview on the Antithesis of Self-Actualization
Openness versus Closedness
Droids, Minds, and Why We Care
Grief and Masculinity: Anakin the Man
The Intergalactic Guide to Girls and Gender Psychology
The Force of Relationships: Tie Strength in Star Wars
Conscientiousness versus Recklessness
These Archetypes You're Looking For
Feel the Force: Jung's Theory of Individuation and the Jedi Path
A Distressing Damsel: Leia's Heroic Journey
Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
The Mark Hamill Award
Darth Solo
Reading Star Wars
Mind on the Force
If My Mother Had Lived: A Poem by Luke Skywalker
There is Good In You
Star Wars Memories
Rebel Scum
Kinda Sorta in the Fandom
On Science Fiction
Kate and Star Wars
My Love for Star Wars
Tom's Collection of Awesome
In Defence of Jar Jar Binks
Craftus Interruptus: or Hot Glue is Not the Force
I Never Wanted to Be Leia: What Han Solo Taught Two Women About Gender and Sexuality
Introduction By David Brin
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Prosecution
Closing Statement for the Defense
The Verdict
Hearing the Force: Manifestations and Transformations of Music from Far, Far Away
The Space Community and the Princess: Reworking the American Space Program's Public Image from "Miss Nasa" to Princess Leia
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Periodizing a Civil War: Reaffirming an American Empire of Dreams
An Elegant Weapon for a More Civilized Age: Star Wars, Public Radio, and Middlebrow Cold War Culture
Part of Our Cultural History: Fan-Creator Relationships, Restoration, and Appropriation
Fan Phenomena Introduction
Star Wars as a Character-Oriented Franchise
Fans, Fics, & Films"Thank the Maker(s)!"
Immersive and Interactive Adaptoins and Extensions of Star Wars
From Bikinis to Blasters: The Role of Gender in the Star Wars Community
Jediism as Religion? The Force as Old/New Religious Philosophy
Greater than the Sum of its Parts: The Singular Emergent Language of the Star Wars Universe
Star Wars Generations: A Saga for the Ages, for All Ages
The Marketing of the Force: Fans, Media, and the Economics of Star Wars
The Influence of the Force
Moving Away from Myth: Star Wars as Cultural Analysis
The Fall of the Rebellion: or, Defiant and Obedient Heroes in a Galaxy Far, Far Away - Individualism and Intertextuality in the Star Wars Trilogies
Apocalyptic Determinism in Star Wars
The Star Wars Trilogies and Global Capitalism
May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
"Your Father's Lightsaber": The Fetishization of Objects Between the Trilogies
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I Have a Good Feeling About This: An Introduction
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Chewie, We're Home: A Foreword
From THX to Star Wars: Rethinking George Lucas's Place in American Science-Fiction Cinema
Luke, Dorothy, and the Hero's Journey: We're Not on Tatooine Anymore, (Ar)To-(Dee)To
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What's So Dark About the Dark Side? Good, Evil, and the Spectrum of Compassion in the Star Wars Saga
Surrounding Us and Binding Us Together: Star Wars Across the Generations
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Mapping the British Invasion: Marvel UK's Star Wars Comics
How Marvel Brought Complex Literary Themes to the Star Wars Universe
Star Wars: The Early Media Tie-In Universe Chronology
Traveling through Hyperspace: Charting the Star Wars Webcomics
Comic Bookends of the Expanded Universe: From Dawn of the Jedi to Legacy
Introduction: The Force is With Youbut You're not a Jedi Yet
"You Cannot Escape Your Destiny" (Or Can You): Freedom and Predestination in Star Wars
Stoicism in the Stars: Yoda, the Emperor, and the Force
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Moral Ambiguity in a Black-and-White Universe
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A Technological Galaxy: Heidegger and the Philosopher of Technology in Star Wars
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The Force is With Us: Hegel's Philosophy of Spirit Strikes Back at the Empire
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Star Wars in Black and White: Race and Racism in a Galaxy Not So Far Away
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Afterword: "You'll Find I'm Full of Surprises" - The Future of Star Wars
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Teen Queen: Padme Amidala and the Power of Royal Women
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Lightsabers and Death Stars: Military Technology Lessons from Star Wars
The Logic of Strategy in Space
Darth Vader and Mission Command
Why Military Forces Adapt, Even in a Galaxy Far, Far Away
Darth Vader's Failed Counterinsurgency Strategy
Why the Jedi Won Fights, Not Wars
Why the Galactic Republic Fell: An Imperial Network Perspective
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Introduction: Being Sith Lord Sexypants
The Brightest Shadow: From Fighting Darkness to Seekng It
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Foreword (Transmedia Franchise of Star Wars TV)
Rebel Violence
The Dark Side of the Rebel Alliance
Beyond Light and Darkness: A Generation Awakens
The Galaxy's Military-Industrial Complex
There is Another: The Decline and Fall of Leia Organa
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Leia and Rey Through the Male Gaze
An Object of Rebellion: Princess Leia's Sexualized Feminism
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Exoticizing Otherness: The Latent Racism of Star Wars
Star Wars and the Conditions of Ethnocentrism
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Acts of Rebellion: Justifiable Murder
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The Strange Case of Anakin Skywalker and Darth Vader
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The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess
Canonical Legends: How the Expanded Universe (Selectively) Lives On in TV
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Gatekeeping the Past: Fandom and the Gendered Cultural Memory of Star Wars
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Comedy from the Edge: Carrie Fisher's Autobiographical Writing
Postcards from the Valley of the Broads: Carrie Fisher, Jacqueline Susann, and Feminist Camp Authorship
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The Political Economy of Star Wars
The Connection of the Star Wars Film Series to the Ancient Roman Civilization of the Meditteranean
A General Overview of Star Wars Characters as Archetypes
The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
The Acousmatic Sounds of Star Wars
The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
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And Also With You: An Examination of the Demystification of the Jedi and the Clergy
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Undoing the Memory Wipe: Metz, Droids, and the Victims of History
Bringing Balance to the Force: George Lucas's Politico-Critical Refiguring of Salvation
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