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Star Wars (Non-Fiction)
Star Wars and the Technophobic Imagination
06/14/2012
Henry Jenkins
Scarecrow Press
Commentary (Essay)
Non-Fiction
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Publication History
Myth, Media, and Culture in Star Wars
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Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
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Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
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Darth Solo
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If My Mother Had Lived: A Poem by Luke Skywalker
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Star Wars Memories
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Introduction By David Brin
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Prosecution
Closing Statement for the Defense
The Verdict
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Fans, Fics, & Films"Thank the Maker(s)!"
Immersive and Interactive Adaptoins and Extensions of Star Wars
From Bikinis to Blasters: The Role of Gender in the Star Wars Community
Jediism as Religion? The Force as Old/New Religious Philosophy
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The Marketing of the Force: Fans, Media, and the Economics of Star Wars
The Influence of the Force
Moving Away from Myth: Star Wars as Cultural Analysis
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Kill Binks: Why the World Hated its First Digital Actor
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Feminism and the Force: Empowerment and Disillusionment in a Galaxy Far, Far Away
I Have a Good Feeling About This: An Introduction
The Power Showed Us the Light: An Introduction
The Ecology of Tatooine as the Epicenter of the Star Wars Films
Star Tours, or: How to Make a Theme Park Attraction from Existing Resources
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Surrounding Us and Binding Us Together: Star Wars Across the Generations
Adventures Beyond the Greatest Space-Fantasy Film of All: An Introduction
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Playing in Uncle George's Sandbox: A Foreword
Mapping the British Invasion: Marvel UK's Star Wars Comics
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Star Wars: The Early Media Tie-In Universe Chronology
Comic Bookends of the Expanded Universe: From Dawn of the Jedi to Legacy
Introduction: The Force is With Youbut You're not a Jedi Yet
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Star Wars in Black and White: Race and Racism in a Galaxy Not So Far Away
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Another Canon, Another Time - The Novelizatoins of the Star Wars Films
Franchising Empire - Parker Brothers, Atari, and the Rise of Lucasarts
Transmedia Character Building - Textual Crossovers in the Star Wars Universe
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How Star Wars Became Museological - Transmedia Storytelling in the Exhibition Space
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The Will of the Force: by George, William Shakespeare's Star Wars
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Darth Vader and Mission Command
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Darth Vader's Failed Counterinsurgency Strategy
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Why the Galactic Republic Fell: An Imperial Network Perspective
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The Dark Side of the Rebel Alliance
Beyond Light and Darkness: A Generation Awakens
The Galaxy's Military-Industrial Complex
There is Another: The Decline and Fall of Leia Organa
Gender, Social Norms, and Disney's Star Wars
Leia and Rey Through the Male Gaze
An Object of Rebellion: Princess Leia's Sexualized Feminism
Galactic Orientalism
Exoticizing Otherness: The Latent Racism of Star Wars
Star Wars and the Conditions of Ethnocentrism
Oppressive Languages: Galactic Basic and Global English
It's Our Lot in Life: The Marginalization of Droids
How the Subaltern Interact
Clones and Hybridity
Artificial Intelligence: A New Hope?
Star Wars and Gothic Marxism
Acts of Rebellion: Justifiable Murder
Gothic Rebellion
The Strange Case of Anakin Skywalker and Darth Vader
"The circle is now complete": Transmedia Storytelling and Nostalgia in Star Wars Television Adverts
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Canonical Legends: How the Expanded Universe (Selectively) Lives On in TV
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Comedy from the Edge: Carrie Fisher's Autobiographical Writing
Postcards from the Valley of the Broads: Carrie Fisher, Jacqueline Susann, and Feminist Camp Authorship
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The Political Economy of Star Wars
The Connection of the Star Wars Film Series to the Ancient Roman Civilization of the Meditteranean
A General Overview of Star Wars Characters as Archetypes
The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
The Acousmatic Sounds of Star Wars
The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
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The Word of God and the W(h)ill of the Force: Canon and Authority within the Star Wars Universe and Franchise
Use (the) Force: Jedi, Monks, and Unexpected Violence
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Rediscovering the Sith and the Jedi: A Spiritual Analogy in Renaissance Humanism and Desert Asceticism
From Padawan to Jedi: The Theological Premise for the Necessity of the Master-Aprrentice Relationship in the Path of the Spiritual Ascension
And Also With You: An Examination of the Demystification of the Jedi and the Clergy
Subverting the Ancient Religion: The Gray Ecclesiology of Ahsoka Tano and Old Man Luke
Undoing the Memory Wipe: Metz, Droids, and the Victims of History
Bringing Balance to the Force: George Lucas's Politico-Critical Refiguring of Salvation
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Reflections on George Lucas and Modesto
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