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Star Wars (Non-Fiction)
The Digitizing Force of Decipher's Star Wars Customizable Card Game
10/17/2017
Jonathan Rey Lee
Amsterdam University Press
Commentary (Essay)
Non-Fiction
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Publication History
Star Wars and the History of Transmedia Storytelling
More Star Wars and the History of Transmedia Storytelling
Afterword: "You'll Find I'm Full of Surprises" - The Future of Star Wars
Fandom Edits - Rogue One and the New Star Wars
Formatting Nostalgia - IMAX Expansions of the Star Wars Franchise
The Kiss Goodnight from a Galaxy Far, Far Away - Experiencing Star Wars as a Fan-Scholar on Disney Property
Space Bitches, Witches, and Kick-Ass Princesses - Star Wars and Popular Feminism
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More Commentary (Essay) from Star Wars (Non-Fiction)
Beyond Judeo-Christianity: Star Wars and the Great Eastern Religions
The Jedi and the Profession of Arms
The Good, the Bad, and the Ugly: Can We Define Good and Evil?
So You Want to Be a Jedi? Learning the Ways of the Force Through Acceptance and Commitment Therapy
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Grief and Masculinity: Anakin the Man
The Intergalactic Guide to Girls and Gender Psychology
The Force of Relationships: Tie Strength in Star Wars
Conscientiousness versus Recklessness
These Archetypes You're Looking For
Feel the Force: Jung's Theory of Individuation and the Jedi Path
A Distressing Damsel: Leia's Heroic Journey
Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
The Mark Hamill Award
Darth Solo
Reading Star Wars
Mind on the Force
If My Mother Had Lived: A Poem by Luke Skywalker
There is Good In You
Star Wars Memories
Kinda Sorta in the Fandom
On Science Fiction
Kate and Star Wars
My Love for Star Wars
Tom's Collection of Awesome
In Defence of Jar Jar Binks
Craftus Interruptus: or Hot Glue is Not the Force
Opening Night
Star Wars Mom
I Never Wanted to Be Leia: What Han Solo Taught Two Women About Gender and Sexuality
Introduction By David Brin
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Prosecution
Closing Statement for the Defense
The Verdict
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The Space Community and the Princess: Reworking the American Space Program's Public Image from "Miss Nasa" to Princess Leia
Feminist Icons Wanted; Damsels in Distress Need Not Apply
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Jedi Knights and Epic Performance: Is the Force a Form of Western-African Epic Mimicry
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Fan Phenomena Introduction
Star Wars as a Character-Oriented Franchise
Fans, Fics, & Films"Thank the Maker(s)!"
Immersive and Interactive Adaptoins and Extensions of Star Wars
From Bikinis to Blasters: The Role of Gender in the Star Wars Community
Jediism as Religion? The Force as Old/New Religious Philosophy
Star Wars Generations: A Saga for the Ages, for All Ages
The Marketing of the Force: Fans, Media, and the Economics of Star Wars
The Influence of the Force
Moving Away from Myth: Star Wars as Cultural Analysis
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Apocalyptic Determinism in Star Wars
The Star Wars Trilogies and Global Capitalism
May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
"Your Father's Lightsaber": The Fetishization of Objects Between the Trilogies
The Emperor's New Clones: or, Digitization and Walter Benjamin in the Star Wars Universe
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I Have a Good Feeling About This: An Introduction
The Power Showed Us the Light: An Introduction
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Star Tours, or: How to Make a Theme Park Attraction from Existing Resources
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Surrounding Us and Binding Us Together: Star Wars Across the Generations
Adventures Beyond the Greatest Space-Fantasy Film of All: An Introduction
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Playing in Uncle George's Sandbox: A Foreword
Mapping the British Invasion: Marvel UK's Star Wars Comics
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Star Wars: The Early Media Tie-In Universe Chronology
Comic Bookends of the Expanded Universe: From Dawn of the Jedi to Legacy
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"You Cannot Escape Your Destiny" (Or Can You): Freedom and Predestination in Star Wars
Stoicism in the Stars: Yoda, the Emperor, and the Force
The Far East of Star Wars
Moral Ambiguity in a Black-and-White Universe
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Glory, We Found Glory: An Introduction
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Beyond Light and Darkness: A Generation Awakens
The Galaxy's Military-Industrial Complex
There is Another: The Decline and Fall of Leia Organa
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Leia and Rey Through the Male Gaze
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Galactic Orientalism
Exoticizing Otherness: The Latent Racism of Star Wars
Star Wars and the Conditions of Ethnocentrism
Oppressive Languages: Galactic Basic and Global English
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Artificial Intelligence: A New Hope?
Star Wars and Gothic Marxism
Acts of Rebellion: Justifiable Murder
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The Strange Case of Anakin Skywalker and Darth Vader
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The Political Economy of Star Wars
The Connection of the Star Wars Film Series to the Ancient Roman Civilization of the Meditteranean
A General Overview of Star Wars Characters as Archetypes
The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
The Acousmatic Sounds of Star Wars
The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
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The Word of God and the W(h)ill of the Force: Canon and Authority within the Star Wars Universe and Franchise
Use (the) Force: Jedi, Monks, and Unexpected Violence
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And Also With You: An Examination of the Demystification of the Jedi and the Clergy
Subverting the Ancient Religion: The Gray Ecclesiology of Ahsoka Tano and Old Man Luke
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