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Star Wars (Non-Fiction)
Darth Vader and Mission Command
05/01/2018
Jonathan Bratten
Potomac Books
Commentary (Essay)
Non-Fiction
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Publication History
Strategy Stikes Back: How Star Wars Explains Modern Military Conflict
Strategy Stikes Back: How Star Wars Explains Modern Military Conflict (paperback)
More Strategy Stikes Back: How Star Wars Explains Modern Military Conflict
Epilogue: The Lessons of Star Wars
A Strategist, Yoda Was Not
Suffer, the Weak Must: A History of the Galactic Civil War
Star Wars, Cyclical History, and Implications for Strategy
Why the Empire Failed
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Mapping the British Invasion: Marvel UK's Star Wars Comics
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Grief and Masculinity: Anakin the Man
The Intergalactic Guide to Girls and Gender Psychology
The Force of Relationships: Tie Strength in Star Wars
Conscientiousness versus Recklessness
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Feel the Force: Jung's Theory of Individuation and the Jedi Path
A Distressing Damsel: Leia's Heroic Journey
Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
Darth Solo
Reading Star Wars
Mind on the Force
If My Mother Had Lived: A Poem by Luke Skywalker
There is Good In You
Star Wars Memories
Rebel Scum
Kinda Sorta in the Fandom
On Science Fiction
Kate and Star Wars
In Defence of Jar Jar Binks
Craftus Interruptus: or Hot Glue is Not the Force
Opening Night
Star Wars Mom
I Never Wanted to Be Leia: What Han Solo Taught Two Women About Gender and Sexuality
Introduction By David Brin
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Opening Statement for the Defense
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Defense
The Verdict
Hearing the Force: Manifestations and Transformations of Music from Far, Far Away
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Jedi Knights, Dark Lords, and Space Cowboys: George Lucas's Re-Imagined and Redefined Masculine Identities
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Periodizing a Civil War: Reaffirming an American Empire of Dreams
An Elegant Weapon for a More Civilized Age: Star Wars, Public Radio, and Middlebrow Cold War Culture
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Fan Phenomena Introduction
Star Wars as a Character-Oriented Franchise
Fans, Fics, & Films"Thank the Maker(s)!"
Immersive and Interactive Adaptoins and Extensions of Star Wars
From Bikinis to Blasters: The Role of Gender in the Star Wars Community
Jediism as Religion? The Force as Old/New Religious Philosophy
Greater than the Sum of its Parts: The Singular Emergent Language of the Star Wars Universe
Star Wars Generations: A Saga for the Ages, for All Ages
The Marketing of the Force: Fans, Media, and the Economics of Star Wars
The Influence of the Force
Moving Away from Myth: Star Wars as Cultural Analysis
The Fall of the Rebellion: or, Defiant and Obedient Heroes in a Galaxy Far, Far Away - Individualism and Intertextuality in the Star Wars Trilogies
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The Star Wars Trilogies and Global Capitalism
May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
"Your Father's Lightsaber": The Fetishization of Objects Between the Trilogies
The Emperor's New Clones: or, Digitization and Walter Benjamin in the Star Wars Universe
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I Have a Good Feeling About This: An Introduction
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Chewie, We're Home: A Foreword
From THX to Star Wars: Rethinking George Lucas's Place in American Science-Fiction Cinema
Luke, Dorothy, and the Hero's Journey: We're Not on Tatooine Anymore, (Ar)To-(Dee)To
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Star Tours, or: How to Make a Theme Park Attraction from Existing Resources
What's So Dark About the Dark Side? Good, Evil, and the Spectrum of Compassion in the Star Wars Saga
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Playing in Uncle George's Sandbox: A Foreword
How Marvel Brought Complex Literary Themes to the Star Wars Universe
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Introduction: The Force is With Youbut You're not a Jedi Yet
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Stoicism in the Stars: Yoda, the Emperor, and the Force
The Far East of Star Wars
Moral Ambiguity in a Black-and-White Universe
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A Technological Galaxy: Heidegger and the Philosopher of Technology in Star Wars
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The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
The Acousmatic Sounds of Star Wars
The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
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