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Star Wars (Non-Fiction)
Opening Statement for the Defense
05/11/2006
Matthew Stover
Benbella
Commentary (Essay)
Non-Fiction
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Star Wars on Trial
Star Wars on Trial (reprint)
More Matthew Stover
Star Wars The New Jedi Order: Traitor
Star Wars: Luke Skywalker and the Shadows of Mindor
Star Wars: Shatterpoint
Star Wars: The Tenebrous Way
Star Wars: Equipment
View More
More Star Wars on Trial
The Verdict
Closing Statement for the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
View More
More Commentary (Essay) from Star Wars (Non-Fiction)
The Good, the Bad, and the Ugly: Can We Define Good and Evil?
So You Want to Be a Jedi? Learning the Ways of the Force Through Acceptance and Commitment Therapy
From Phantom Menace to Phantom Limbs: Amputation, Neuroprosthetics, and Darth Vader's Brian
A Discussion with Darth Maul: Sam Witwer Interview on the Antithesis of Self-Actualization
Openness versus Closedness
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Grief and Masculinity: Anakin the Man
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The Force of Relationships: Tie Strength in Star Wars
Conscientiousness versus Recklessness
These Archetypes You're Looking For
Feel the Force: Jung's Theory of Individuation and the Jedi Path
A Distressing Damsel: Leia's Heroic Journey
Faith and the Force: Star Wars and the Psychology of Religion
Extraversion versus Introversion
Explaining the Empire: Why Good People Do Bad Things
Lando's Choice: Anatomy of a Moral Decision
Anxiety Disorder's Need for Imperial Control: Was Darth Vader Evil or Scared?
The Skywalker Way: Values in the Light and Dark
Agreeableness versus Disagreeableness
Samurai, Star Wars, and Underdogs
Yoda: Little Big Mentor
A Symphony of Psychology: The Music of Star Wars
Neuroticism versus Emotional Stability
Final Word: Our Last Hope
Introduction: Lights in the Dark Side
Shooting, Striking, Returning: Returning the Universes in Our Heads
A Long Time Ago, On a Couch on a Sidewalk
Darth Solo
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Mind on the Force
If My Mother Had Lived: A Poem by Luke Skywalker
There is Good In You
Star Wars Memories
Rebel Scum
Kinda Sorta in the Fandom
On Science Fiction
Kate and Star Wars
In Defence of Jar Jar Binks
Craftus Interruptus: or Hot Glue is Not the Force
Opening Night
Star Wars Mom
I Never Wanted to Be Leia: What Han Solo Taught Two Women About Gender and Sexuality
Introduction By David Brin
Introduction By Matthew Woodring Stover
Opening Statement for the Prosecution
Charge #1: The Politics of Star Wars are Anti-Democratinc and Elitist, For the Defense
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Prosecution
Charge #2: While Claiming Mythic Significance, Star Wars Portrays No Admirable Religious or Ethical Beliefs, For the Defense
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Proscution
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Resnick)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Traviss)
Charge #3: Star Wars Novels are Poor Substitutes for Real Science Fiction, For the Defense (Rusch)
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Prosecution
Charge #4: Science Fiction Filmaking has been Reduced by Star Wars to Poorly Written Special Effects Extravanganzas, For the Defense
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Prosecution
Charge #5: Star Wars has Dumbed Down the Perception of Science Fiction in the Popular Imagination, For the Defense
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Wharton)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Metzger)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Prosecution (Bethke)
Charge #6: Star Wars Pretends to be Science Fiction but is Really Fantasy, For the Defense (Roberts)
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Prosecution
Charge #7: Women in Star Wars are Portrayed as Fundamentally Weak, For the Defense
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Prosecution
Charge #8: The Plot Holes and Logical Gaps in Star Wars Make it Ill-suited for an Intelligent Viewer, For the Defense
Closing Statement for the Defense
The Verdict
Hearing the Force: Manifestations and Transformations of Music from Far, Far Away
The Space Community and the Princess: Reworking the American Space Program's Public Image from "Miss Nasa" to Princess Leia
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An Elegant Weapon for a More Civilized Age: Star Wars, Public Radio, and Middlebrow Cold War Culture
Part of Our Cultural History: Fan-Creator Relationships, Restoration, and Appropriation
Fan Phenomena Introduction
Star Wars as a Character-Oriented Franchise
Fans, Fics, & Films"Thank the Maker(s)!"
Immersive and Interactive Adaptoins and Extensions of Star Wars
From Bikinis to Blasters: The Role of Gender in the Star Wars Community
Jediism as Religion? The Force as Old/New Religious Philosophy
Greater than the Sum of its Parts: The Singular Emergent Language of the Star Wars Universe
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The Marketing of the Force: Fans, Media, and the Economics of Star Wars
The Influence of the Force
Moving Away from Myth: Star Wars as Cultural Analysis
The Fall of the Rebellion: or, Defiant and Obedient Heroes in a Galaxy Far, Far Away - Individualism and Intertextuality in the Star Wars Trilogies
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The Star Wars Trilogies and Global Capitalism
May the Force (Not) Be With You: "Race Critical" Readings and the Star Wars Universe
Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe
Kill Binks: Why the World Hated its First Digital Actor
"Your Father's Lightsaber": The Fetishization of Objects Between the Trilogies
The Emperor's New Clones: or, Digitization and Walter Benjamin in the Star Wars Universe
Feminism and the Force: Empowerment and Disillusionment in a Galaxy Far, Far Away
I Have a Good Feeling About This: An Introduction
The Power Showed Us the Light: An Introduction
Chewie, We're Home: A Foreword
From THX to Star Wars: Rethinking George Lucas's Place in American Science-Fiction Cinema
Luke, Dorothy, and the Hero's Journey: We're Not on Tatooine Anymore, (Ar)To-(Dee)To
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What's So Dark About the Dark Side? Good, Evil, and the Spectrum of Compassion in the Star Wars Saga
Surrounding Us and Binding Us Together: Star Wars Across the Generations
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Religious Pragmatism through the Eyes of Luke Skywalker
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Dark Times: The End of the Republic and the Beginning of Chinese Philosophy
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Light Side, Dark Side, and Switching Sides: Loyalty and Betrayal in Star Wars
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"Thank the Maker" - George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise
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Star Wars and the Conditions of Ethnocentrism
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The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess
Canonical Legends: How the Expanded Universe (Selectively) Lives On in TV
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The Struggle Between the Light and Dark Sides: The Ideology of Star Wars
The Political Economy of Star Wars
The Connection of the Star Wars Film Series to the Ancient Roman Civilization of the Meditteranean
A General Overview of Star Wars Characters as Archetypes
The Evolution of Women's Representations in Star Wars: Leia, Padme, and Rey
The Acousmatic Sounds of Star Wars
The Use of Visual Effects in Star Wars, Past and Present
The Creators of Star Wars: Writers, Directors, and Legends
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The Music of Star Wars
The History and Politics of Star Wars: Death Stars and Democracy
Theology and the Star Wars Universe Introduction
The Word of God and the W(h)ill of the Force: Canon and Authority within the Star Wars Universe and Franchise
Use (the) Force: Jedi, Monks, and Unexpected Violence
And What More Shall I Say?: Heroism in Hebrews 11 and Star Wars
Rediscovering the Sith and the Jedi: A Spiritual Analogy in Renaissance Humanism and Desert Asceticism
From Padawan to Jedi: The Theological Premise for the Necessity of the Master-Aprrentice Relationship in the Path of the Spiritual Ascension
Undoing the Memory Wipe: Metz, Droids, and the Victims of History
Bringing Balance to the Force: George Lucas's Politico-Critical Refiguring of Salvation
The Modern Manicheans: Binaries of Light and Dark in Contemporary Culture
Thomas Aquinas's Account of Hope as a Hermeneutical Lens for Star Wars
An Arche not Anarchic Enouch: A Spirited Critique of the Force
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Subverting the Ancient Religion: The Gray Ecclesiology of Ahsoka Tano and Old Man Luke
Jedi Knights and Epic Performance: Is the Force a Form of Western-African Epic Mimicry
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Space Bitches, Witches, and Kick-Ass Princesses - Star Wars and Popular Feminism
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Traveling through Hyperspace: Charting the Star Wars Webcomics
Comic Bookends of the Expanded Universe: From Dawn of the Jedi to Legacy
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A Rocky Road to Star Wars: The Early Life and Career of George Lucas
Star Wars in Black and White: Race and Racism in a Galaxy Not So Far Away
Beyond Judeo-Christianity: Star Wars and the Great Eastern Religions
Glory, We Found Glory: An Introduction
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The Canon Question: A Slight Return
From Princess to General: The On- and Offscreen Rise of the Woman Warrior
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Introduction (Strategy Strikes Back)
The War for Star Wars
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Closing Statement for the Prosecution
A Star Wars Miscellany: Extracts Culled from Various Media
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